Keepsakes of Conflict

In my ongoing quest for details that might spark my next set-in-Manitoba historical novel, I took myself to the Ft. la Reine museum to see the exhibit currently on display. It’s called Keepsakes of Conflict: Trench Art and Other Canadian War-Related Craft. Trench art is any item made by soldiers, prisoners of war or civilians, using war material, provided they are associated with armed conflict or its consequences. This exhibition interprets the human aspect of war, and how conflict affects us mentally, emotionally, and physically. 

Those who’ve never lived through a war might wonder why on earth anyone would want souvenirs from the horrors of conflict. This exhibit sheds light on some of the possible reasons. Many of the objects, like napkin rings and letter openers, speak to a life of refinement. They represent hope that life will be good and decent and civilized once again. Shell casings and bullets used to create works of art also reveal a soldier’s need to share his experiences with others. The uncomfortable quality of these pieces reminds us of the sacrifices made. Creating a beautiful vase from an instrument of death points out our need for transformation on so many levels.

 During World War II, 34,000 German soldiers were housed in prison camps across Canada. Their guards purchased or traded with prisoners for their craft items such as carved wooden boxes, canes, picture frames, ships in bottles or light bulbs, drawings and cartoons. In contrast, Canadian soldiers held captive by German forces had no such resources for self-expression. They turned anything they might get their hands on into something necessary for survival.

 You’ve probably heard of craft therapy for victims of PTSD. This idea is not new, as many wounded veterans recovering in hospitals during and after the war created wicker work, embroidery, wooden furniture and toys, metalwork and the like. Creativity can help heal all kinds of trauma. Wounded soldiers were the first to hand-cut red poppies used to commemorate Remembrance Day.

 The shocking contrast of this artwork reveals much about human nature. We have never learned to get along, to rise above destroying one another. Yet, made in the image of our Creator, we also long for beauty, redemption, transformation, and healing.

 Did you ever wonder why Christians choose the cross, a gruesome device of torture and death, to wear as jewelry or decorate our homes and churches? The symbol remains significant in much the same way as the war art. When Jesus was nailed to a rugged Roman cross, he fought the most significant battle ever: the war for our souls. 

 The enemy thought the cross was his own greatest victory. Jesus turned it into Satan’s greatest defeat. Christ’s triumph came three days later when he conquered death, clearing the way for us to live lives of redemption and transformation. The cross becomes beautiful because of the great reversal Christ accomplished there.

 Keepsakes of Conflict will be at the Ft. la Reine Museum until November 15, so this weekend is your chance to see it. This time of year, the museum is open Friday through Sunday only, 11:00 am until 3:00 pm. While you’re there, you will want to tour the whole place, so go early. Regular adult tickets cost $10 but if you’re a student or over sixty, it’s only $8. Children five to twelve get in for $5 and under four get in free. If that all adds up to more than $25 for your family, you’ll want the daily family pass instead.

 Lest we forget.

The Last Sin Eater

I was twelve years old and home alone, with no business watching what I was watching on TV. Only this morning did I finally discover it was probably Night Gallery, Season 2, Episode 21 called The Sins of the Fathers. For all the decades since, all I could remember was this:

A corpse is laid out on a table, an abundance of food surrounding it. The house is empty of the living. The background music is designed to spook the viewer. A half-mad man, whom I can only fathom must be starving, enters and gobbles the food like an animal. Then he runs away, carrying as much of the food with him as he can.

I wanted to turn it off but was afraid to get any closer to the television. Remote controls were still in the future.

The show haunted me for years. Had I actually seen such a thing or had I dreamed it? What was that about? What was the name of the movie? If I could find it and watch it again as an adult, would it make sense?

Years later, I would finally find a partial answer.

At the age of 39, I received a lovely Mother’s Day gift: a copy of Francine Rivers’ book, The Last Sin Eater. My kids knew only that I liked the author and nothing about the story or my history related to it.

The book could not have been a better gift.

Because of Rivers’ novel, a light bulb came on for me. Her story takes place in America’s Great Smoky Mountains in the 1850’s. A tradition has been carried over by immigrants from England, Scotland, and Wales. The “sin-eater” was paid a fee or given food to take upon himself the moral trespasses of the deceased and their consequences in the afterlife. Basically, he sold his soul to free the soul of the departed.

Although abundant information about this custom is now easily accessed on the internet, I had no such resource at the time. The 1926 book Funeral Customs by Bertram S. Puckle mentions the sin-eater:

“Abhorred by the superstitious villagers as a thing unclean, the sin-eater cut himself off from all social interaction and lived alone in a remote place. Those who chanced to meet him avoided him as they would a leper. Only when a death took place did they seek him out. When his purpose was accomplished, they burned the wooden bowl and platter from which he’d eaten the food placed on the corpse for his consumption.”

What poor desperate soul would volunteer for this?

Rivers’ novel (later made into a movie) introduces us to such a person. In her story, the sin-eater and a curious young girl are both led on a journey of discovery, suffering, and redemption.

Unlike some, I don’t enjoy being frightened out of my skin. You couldn’t pay me to watch horror movies, visit haunted houses, or listen to ghost stories. I figure life can be frightening enough as is.

Perhaps that’s why scripture tells us over and over to “fear not.” While some say it appears in the Bible 365 times—once for every day of the year—others say that isn’t true unless you’re exceptionally generous with interpretations. Regardless, all agree it’s the most often repeated exhortation in scripture. Could it be because fear is the opposite of faith, and faith is the first response God wants to see in us? 

Traditions like the sin-eater feel desperately sad unless they point us to the only one who actually did take our sin upon himself and can truly set us free: Jesus Christ. The last sin-eater.

Fear not.