“Do
I have any extra arms kicking around here?”
It’s
not a question most wives hear from their husbands.
“How
should I know?” I lovingly replied. “Don’t you keep track of them?”
Jon’s
owned at least three prosthetic arms in the years since his original right one
was amputated after a farm accident in 1995. People rarely see him using a
prosthesis because he finds it more trouble than it’s worth for normal daily
activities. But when performing serious outdoor work, his prosthesis gets at
least as rigorous a workout as his muscles and joints—but with no natural
healing component when it breaks.
Thus,
a large Rubbermaid box of spare parts and attachments has been part of our
household belongings for years. All are the work of Larry Lawson from Winnipeg,
who has been Jon’s prosthetist all this time. Larry has built and rebuilt these
arms, sometimes swapping out parts or beefing up strength to make them more
endurable for jobs like pounding fence posts.
So,
with his real arm suffering from over-use and his appointment with Larry still
a week away, Jon was asking me a valid question. I’d “borrowed” a spare arm for
a prop three years ago when the Prairie Players staged my short play, Sleeping with a One-Armed Man. He
probably wondered if that one had ever been returned to the box.
All
of this got me thinking how little we knew about prosthetics before they became
part of our lives and how my readers might find the topic interesting. It’s a
fascinating line of work. Part medical practitioner, part mechanic, part
artist, part counsellor—prosthetists must also be
business savvy, especially if they run their practice alone. They acquire an
intimate knowledge of their client’s vestigial limb and they understand the
changes that will come with atrophy. They need to grasp the client’s individual
needs, know the type of work the artificial arm or leg will be expected to perform,
and do their best to ensure a comfortable fit. Each is unique.
Whether
or not a client still has their original elbow makes a colossal difference in
the usefulness of a prosthetic arm, something that never would have occurred to
us before. Jon does not. His prosthesis is completely mechanical, operated by
shoulder movements.
A 1930's prosthetic arm |
Although
we’ve all seen impressive videos of myoelectric hands that seem even more
sophisticated than the flesh and bone kind, the reality is that basic arm prosthetics
have changed little since World War II. Advancements are being made every day,
“somewhere, out there,” but for most amputees, cost puts them out of reach. State-of-the-art
prosthetic replacements are complicated medical devices, powered by batteries
and electronic motors, and they can cost hundreds of thousands of dollars. For
children, the difficulty of handling them—plus the child’s rapid growth—makes
the investment impractical.
3D
printing of limbs is gaining ground and reducing costs, so the future could
look much brighter—for others, if not for Jon. For kids with missing fingers or
even an entire hand, designs for these 3D printed prosthetics are readily
available for free on the internet. They are not made to look like the original
hand, but are produced in bright colors and patterned after super-heroes,
dinosaurs, and Transformers. They’ve become so cool, able-bodied children wish
they could have one.
Meanwhile,
at our house, we’re convinced the most technologically advanced arm any human
can ever invent will never be as complex as the kind God assembles in the
darkness of a mother’s womb. We cannot out-create our own Creator. If we could,
we’d have figured out by now how to regenerate lost limbs and they’d be superior
to the ones we’re born with.
It
kinda shoots a big ol’ hole in the theory of evolution. And further reinforces
the notion that you don’t know what you’ve got ‘til it’s gone.
Stay
safe, everyone.
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